April’s Fool

So–the three of you who read my blog yesterday may have thought I was the author of yesterday’s post. Why wouldn’t you? That would be a reasonable assumption, since after all, this is my blog, and you have not had any past experience to suggest that anyone other than me would be writing it. But your reasonable assumption, founded on sound rational principles, would be wrong!

The actual author of the previous post is one Ed “Ed-man” Humphries, my esteemed cousin and owner of The Ed Zone. We sure pulled the wool over their eyes, didn’t we, Ed!

In point of fact (an excellent way of writing “in fact,” except that it gets you an additional two words, which matters when one gets paid by the word, which I don’t for this blog, but do in other areas on my professional career), not only did Ed write my blog entry, but I wrote one for Ed, informing his trusting readership that, with my aid, he had sold a screenplay to the Lords of Hollywood.

Now, for the record, my fake post did not fool one single person, nor did it, as of 12:30 the following day, inspire a single comment. Judging from the ratio of comments to Ed’s second April Fool’s post, it’s apparent his close friends and family are more willing to believe he would abandon them for Iowa at the drop of a hat than the notion that he could make a mint selling a screenplay. If I sound bitter, it’s only because I am.

Speaking of commenting, I’ve now altered my comment system so that TypeKey registration is no longer necessary. This means I’ll have to monitor for spam comments, but it also means you’ll be able to leave comments without any annoying registration process, so please, give me feedback, for good or ill. If you have any problems with commenting, please email me and let me know.

cozenage

Recently, I used this forum as my own personal confessional to reveal a deep, dark secret that I’ve been harboring for some time. Now, given that new updates to this site adhere less to a strict daily schedule and arrive more or less on time to herald the new equinox–I thought the rest of this missive would be best served if I offered up a bit of a primer.

So what is the true nature of this ‘tricksy’ skeleton that’s been dogging my every step? Well, if you have to pry it out of me–it’s no less than the grand revelation that Jesus of Nazareth married Mary Magdalene, fathered a child who fled to France and… oh hell, while I’m deconstructing dogma and spoiling flicks I might as well dive deep–Johnny Noxville provides the greatest portrayal of a developmentally challenged individual in The Ringer since Giovanni Ribisi in… well, just about everything, Denzel discovers ‘this ain’t no bank robbery’ while investigating Clive Owen’s pursuit of Christopher Plummer’s Nazi gold in Inside Man, and that dude in She’s The Man is really a chick.

So at this point, you’re all wondering, what chimp-ruled faux-Earth have we set foot on anyway?

Damn you! Damn you all to hell!!!

I apologize for the tangent–got slightly derailed there. So where was I? Oh yes, I was bringing you up to speed on my big revelation. Well–for those that follow this cyber confessional–I recently revealed my recurring affliction with seasonal affective disorder. Unfortunately, it’s the price I pay for remaining rooted in the New England area. I’ve written in the past of my love for a region with four discernable seasons–and in particular, I heart Autumn.

Unfortunately, the cold outlasts the warmth. Still I take heart in the notion that mankind is steadily chipping away at that pesky ozone layer. News of an extended El Nino just brings a smile to my lips. Hey–I spent the better part of the nineties bringing order to my slacker do by shellacking it four times daily with a healthy sheen of Aqua-Net. To further my equal parts selfish and wickedly nefarious desire for perpetual daylight, I ripped a page from Biggie Smalls book–one spray for me and one spray for my homies–pointing the can skyward and launching an arch of ass-kicking aerosol straight towards the heavens. I’d rip that ozone a new one. ‘Course, I’m not straight outta’ Compton, I’m straight outta’ Cranberry Country.

But, the pleasant surprise is Springtime, and warm weather, finally appears to be on fast approach after a slightly delayed arrival. That punkass Punxsutawney is the biggest sham ever perpetrated on mankind… What’s that? Oh yeah, that Da Vinci thing again! O.K. So Phil and Pontius are neck and neck.

With the arrival of spring, my creative juices have recharged–leading me to revisit my rant against the forces that conspire against me to embrace Battlestar Galactica like it was the next Red Dwarf.

I just don’t get this Geek Mythology.

The Geeks spend every waking moment of their high school existence decimating the concept of cliques–deriding their peers for banding together around shared interests–and keeping them on the outside looking in. The Beautiful People are labeled shallow, self-centered and narcissists. I guess when you’re knee deep in the muck, it’s difficult to discern the real lay of the land.

Then college arrives and everyone reboots–you move to a different city, you mingle with different people, you loosen your baggage and come into your own. Rolls reverse. Jocks date geeks. Nerds mack on preps. Dogs marry cats. Up is down. Black is white. Paula Abdul is stable.

Then you go to work and you find yourself in the IT department and a quick scan across the shanty town of cubicles known as Corporate America provides you with an inventory of every superhero that has ever graduated the JLA. That’s short-hand for Justice League of America but if you avoid the acronym, the Geek Chorus propels you to the top of their ‘watch list’. Years ago, it was rumored that the NSA used to monitor library databases in a bid to red flag all those checking out The Catcher in the Rye in order to nab the next great anarchist. I did them a solid and sent them a detailed inventory of every action figure and it’s owner in my office. You have Orco getting it on with Steve Nelson on your desk–you’re now officially on their ‘watch list’.

And the geeks will ostracize anyone that doesn’t share in their nerdgasm. In the late 90’s, it was the Matrix. Then it was the Lord of the Rings trilogy. Then we were all forced to welcome back Potter and the rest of our Hogwarts heroes. Now, we’ve gone all retro and if you aren’t down with Battlestar Galactica or Dr. Who, you’re frakked. Where’s the love for Surface?

I remember high school well enough. Most people are lying if they say they had a swell time–hormones prohibit that–but when looking back at the cliques that assembled there and the segregation that rocks most suburban office parks–it becomes far too apparent how quickly the Geeks have become Those They Chose Not To Speak Of. Being a fanatic is great–having a passion for a pastime is wonderfully therapeutic–sharing our interests with others helps to pass the time and prevent monotonous clockwatching–but this strong arm approach, the threat that ‘Order 66’ will be declared on your ass if you skip one episode of Trading Maces–it’s a bit too much.

This proud fanboy offers up the following challenge to my brethren. Can’t we all just get along? Let’s sample the buffet and enjoy a wide variety of interests (well, except Nightwatch. Why is it that a cribbed cocktail of Star Wars, The Matrix and X-Men is declared the greatest science fiction work of all time simply because a Russki directed it?)

Bottom line. Enough with the big fat geek meddling. I liked you guys a lot better when you stayed in on Friday nights downing Mountain Dew and noshing on Bugles while beating your +5 Mystical Bishop (an act lovingly referred to as Draggin’ the Dungeon.)

Well, I’ve said enough. I gotta’ get working on my next post. See ya ’round Arbor Day.

Equinox and other funny words.

The spring equinox has come and gone, and my usual concomitant madness seems to be dying down as well. I tend to get a little nutty in March. I used to think it was seasonal affective disorder, which I suppose it kind of is, but not in the clinical sense; it’s more that, come March, I (like many New Englanders) begin to believe that there will never be light or warmth in this world again. The nonexistent May and mild summer last year didn’t help either–it feels like a long time since I enjoyed a warm, sunny day.

Of course, my company, being very computer-oriented, keeps all but the most necessary lights off, meaning I spend my days in what is essentially a well-networked tomb. As someone who needs a certain amount of sunlight each day, my recent bout with a terrible cold and the mild insanity following were perhaps inevitable.

But I’m feeling much better now. Honest.

ToyFare magazine has a section called “The Monthly Rag,” which is basically a collection of fake news article a la The Onion, with a focus on toys. They accepted two of my article pitches, so look for those in an upcoming issue. In the meantime I continue to write the “What’s In Store” section in the price guide every month.

I saw V for Vendetta over the weekend. I’ll review it in a separate entry.

Review: Hellboy Makoma #2

I’ve reactivated the comments feature on the blog. It requires you to create a free account with TypeKey (because I hate clearing out spam comments), but the process takes just a few minutes and the account can be used on any website that uses Blogger, Typepad or a few other formats. Also, now that I know some people get my blog through an RSS feed, I’m going to start using real titles rather than one-word appellations.

I picked up the second and final issue of Hellboy: Makoma, or, A Tale Told by a Mummy in the New York City Explorers’ Club on August 16, 1993, written by Hellboy creator Mike Mignola and drawn by comics legend Rich (Heavy Metal) Corben. Hellboy stories tend to fall into one of three categories: adventure stories, where Hellboy and his pals get involved in some villain’s scheme or go traipsing across the world to stop some threat (Seed of Destruction, Wake the Devil, Conqueror Worm); folklore adaptations, where Hellboy stands in for the protagonist in an old folktale (“The Corpse,” “Heads”); and then there are the stories that investigate Hellboy’s origins and his destiny.

Lately, almost all of the Hellboy stories have been of the latter variety–to mixed reception by fans. Personally I’m more enamored of the first sort of story, but that has become the province of Hellboy’s spin-off comic, BPRD. However, we still occasionally get a one-off story of the second variety, folktale adaptations, and this is the story of Makoma. Mignola himself draws some bumper pages to place the folktale in context of Hellboy’s history, but Corben takes over when we get into the meat of the tale–a story of an African folk hero who wanders about Africa fighting giants and seeking his doom.

I didn’t find the story as engaging as last year’s The Island, which, as some may remember, I wasn’t that taken with either. Recently I’m enjoying the Hellboy tie-in novels, which are set before Hellboy quit the BPRD, more than the Hellboy and BPRD comics of late. I like Hellboy and the BPRD when they’re investigating odd phenomena, from Nazi mad scientist installations to fairy tale monsters in caves, in their business-like, vaguely bureaucratic manner. I like the incongruity of Hellboy in his big trenchcoat, standing in a room with a bunch of suit-clad agents; I like the contrasting of this clearly Judeo-Christian demon fighting tentacled beasts clearly inspired by the materialistic (though still fantastic) vision of Lovecraft. Yeah, it’s inconsistent, yes, it’s a potpourri of science fiction, superhero comics, folktales, UFO conspiracy theories, and everying else you can imagine–and that’s what I enjoyed. I liked that you could get a Hellboy story where he fights Nazi mad scientists, followed by a folktale adaptation such as “The Corpse,” and then a story with alien creatures such as Conqueror Worm. Recently Mignola has been trying to tie all of this together in The Island and BPRD, but I’m not sure if this is the right thing to do.

In any event, I tend to enjoy the X-Files-ish investigations more than the folklore-oriented stories and so I haven’t read a Hellboy story that really got me jazzed since Conqueror Worm (including the one-shots in the Dark Horse Book of the… series). It’s just my personal taste, and I can understand the argument of many fans that Hellboy is a better and more artistic comic now than it was ten years ago. It probably is, but, as I have often found with such things, it’s not quite as fun.

In the letters section of Makoma #2, editor Scott Allie mentions that the next BPRD miniseries will focus on (spoiler alert for those who haven’t read the most recent miniseries, The Black Flame–highlight to read) the efforts of the team to find a way to resurrect Roger the homunculus, who died in the last miniseries. Allie ends the “pitch” with “Don’t get your hopes up.” Well! I’m certainly looking forward to reading a six-issue miniseries that focuses on the efforts of the BPRD to attempt something so momentous, only to fail. I’m reminded of Leonard Nimoy’s words when asked whether Spock would return in Star Trek III: “Well, look, we’re calling the picture Star Trek III: The Search For Spock. If we had Captain Kirk turn to the camera at the end of the picture and say, ‘Sorry, we didn’t find him,’ people would throw rocks at the screen.”

I suspect–or at least hope–that the series will offer something more satisfying than that, but it was a rather cheap shot by Allie.

apothegm

Last night I attempted to upgrade the site to the latest version of MovableType, but discovered it was far more complicated than I cared to deal with. I could have managed to get the new system installed, import all the old entries and fix the website templates, given enough time, but there wasn’t a real need and I didn’t feel like spending days and days figuring it out. Thankfully I’d backed up the site and was able to put everything back. One change I do hope to make in the near future, however, is to add comments.

In other news, my girlfriend, who goes by DottyGale (DG) online, has start a new blog. She hopes to update at least as frequently as I update this thing, so the time to beat is twice a month. Update: I’ve also added the blog of my cousin Ed Humphries, the funniest man ever to take a bath in his underwear.

My immersion into the Whedonverse continued unabated this weekend. DG and I watched Serenity on Saturday (finally, after owning it for two months). (Spoilers ahead.) I enjoyed it; DG thought it was depressing. Which it was, I suppose, but I really liked it. Interesting characters, great action, a story with a message, and special effects that served the story rather than the marketing budget–maybe I’ve just seen so many bad science fiction movies that it was immensely refreshing to see a good one. I’ll admit the movie probably wasn’t as good as the series (shades of X-Files), but it was still better than 90% of what Hollywood puts out in terms of science fiction every year.

On Sunday we started Buffy season six. For those keeping track, I still need to see Buffy seasons 6-7 and Angel 3-5. We’re also trying to get through the first season of the new Battlestar Galactica, but despite the fact that it’s the only water cooler show at my geek-oriented office, I just can’t seem to get into it. At the very least, I can’t motivate myself to watch it when I could be watching a Buffy or Angel episode. Perhaps after we’ve finished those.

I finished reading Philip Pullman’s “His Dark Materials” trilogy. I enjoyed it immensely and highly recommend it to just about anyone. It’s written for a late adolescent or teenage audience, but the subject matter is often very adult. It’s one of those truly great coming-of-age books–and an excellent fantast adventure as well. It was also nice to read the prose of a skilled writer; I’ve been reading so many comics and not-so-great novels lately, I’d forgotten what truly great writing was like.

virtual Germans

I’ve been playing Call of Duty 2 lately. I lost interest in the FPS (first-person shooter) genre after Quake II (with the notable exception of the Halo games), but COD2 came with my graphics card and apparently was the best-selling game of the holiday season (nothing says Christmas like an M3 Grease Gun), so I thought I’d give it a shot.

The graphics are excellent, and based on the evidence (my sitting in front of the computer for extended periods time, my lowered blink rate, and the relative frequency of cursing at a pixelated enemy), I’d have to say the game is fun.

But playing has made me wonder–how many virtual Germans have I killed in my time? Games like Wolfenstein 3D, Return to Wolfenstein, and Bloodrayne feature the wholesale slaughter of Nazis, to name just a few games. How many virtual Germans have been slain in WWII-themed videogames? Probably many, many more than were actually killed in the war. Movies like the Indiana Jones films, Hellboy, and pretty much any WWII film reinforce the notion that Nazis exist to be destroyed without a second thought.

The whole Nazis-as-villains thing sometimes makes me uncomfortable. They make such perfect stock villains. Slaughtering them is like killing orcs in a fantasy game; there are no moral qualms attached. It’s not hard to understand; murdering six million people in cold blood tends to get you painted in a certain light–for eternity. Of course, we all know that your average Joe Sausage in the German army probably wasn’t entirely aware of the Holocaust and was almost certainly being misinformed about them, as well as the war effort in general. But that’s really beside the point; for the limited purposes of an action movie or a video game, the soldiers are identified with the Nazi regime, and as such are subject to annihilation.

What I find a bit more interesting is that you never seem to hear any protests from Germans about games like COD2. They never make the above argument regarding the soldiers and sit idly by while their virtual ancestors are wasted time and again. I’m sure there have been protests, but I’ve never heard of one, which presumably means they haven’t been very loud.

On the other hand, the makers of the Western FPS GUN have been censured by the Association for American Indian Development for its use of Indians as bad guys in the game. And you certainly do kill Indians; you gun them down as they hoot and howl, firing arrows and wielding hatchets. And yes, you can scalp them after you kill them (though you can do that to anyone, not just Indians). There’s no question GUN presents a pretty 1860s portrait of the whole cowboys and Indians thing. There are some good Indians, including one who runs a store and another who teaches you to shoot a bow and arrow, but I have to admit that when I first spoke to these characters, I was surprised they weren’t trying to kill me for slaughtering two dozen of their kind just a few minutes earlier.

In any event, the Association for American Indian Development did make a protest. Yet you don’t hear much from the German Veterans Society. Here’s my theory. The Germans have made an unspoken deal with world pop culture: we can use Nazis as stock villains in our entertainment as long as we agree not to bring up the whole Nazi thing too often in the “real” world.

And while there’s plenty of Holocaust literature, there isn’t a whole lot about Germany of that time in pop culture (aside from Nazis, of course). Family Guy even made a joke about it, in an episode where Brian and Stewie are in Germany and Brian points out to a tour guide that the leaflet doesn’t mention any German history from 1939-1945. The tour guide ignores him–before descending into a parody of a Nazi.

At this point, I feel I should write some sort of wrap-up “final thoughts” paragraph, but this isn’t an essay and I don’t have a conclusion. This is really just an extended humorous observation, just one step removed from a Jerry Seinfeld joke. But my writer’s ear dictates I get a few more syllables in to complete the rhythm. There.

“Zombie!”

I wrote this brutal little piece–for no reason I can recall, though I may have been playing Resident Evil 2–almost exactly six years ago, on Wednesday, February 2, 2000, just one minute before the stroke of midnight (thank you, Microsoft Word “Properties” tab). I think the idea behind the piece was to write a scene showing how I’d deal with a zombie if I ran into one in real life (hence the uncertainty about using a gun–and the crying).

It’s a little eerie that I thought about it today and now, just forty minutes past its six-year anniversary, I’ve decided to post it here. If I were a more superstitious man, it might freak me out; instead, the materialist in me wonders why I tend to think about zombies in early February.

I’ve toned down the violence and cursing from the original version, though it’s still definitely rated R–but a cheesy horror B-movie R, not a reprehensibly gory R.

The corpse slid to the floor.

It seemed an eternity before he heard the tink of the shell on the floor. The blast still echoed against the concrete walls of the alley outside the window.

For more than a minute he was motionless, the shotgun held out before him in one hand, his arms quivering with its weight. Finally he lowered the gun and stepped back, slumping against the wall behind him and sliding to the floor, never taking his eyes off what he’d done.

He was twenty-two, an art school graduate living in a dingy apartment in a New York suburb. The shotgun had belonged to a cop; he’d pried it off the half-eaten corpse in the hallway. He hadn’t seen the one he’d killed until it was almost too late.

There would be more of them. He’d seen enough movies to know that. Maybe even in the building. He should check how many shells he had–but how?

He’d never fired a gun in his life. Now he’d killed his landlady, Mrs. McNeil. Shot her head off with a shotgun.

Granted, she hadn’t been herself lately. More like a hideously diseased and undead shadow of her former self. So in a sense, he hadn’t killed her; she was already dead.

Somehow, that didn’t make him feel better.

Watching a human head explode because of something he’d done tapped into a portion of his mind that terrified him. It was something beyond mere shock; it was the horror of not only having to kill someone, but someone he knew. That it was in self-defense, and that the person he’d shot didn’t seem to be the same person he’d known, were rational facts that his mind wasn’t able to grasp at that moment. He began to sob. After a few minutes, the tears subsided, and he sighed deeply.

He sensed the thing before he saw it.

Slowly, he turned his head and looked up. Another one of the things was in the doorway, watching him. Like the other one, its skin had faded to a dull grey color, and the eyes had turned a pale shade of yellow. The milky orbs fixed on him while the thing stood there silently.

He slowly stood, backing away as much as he could. He brought the shotgun up again and prayed there was another shell in it. The thing continued to stare at him, but didn’t move. It opened its mouth and made a hissing noise that turned his stomach. Without warning, it lurched toward him. There was a thundering crack and the thing collapsed in a heap.

Still in shock, he began to scream obscenities. He kicked at the corpse on the floor. The tears flowed once more as he struck the thing with the butt of the gun.

Another one appeared at the door.

“Goddamn it!” he screamed, and he wielded the shotgun like a club, smashing the butt into the side of the thing’s head. The shotgun broke in half but it did the trick: the thing’s neck snapped and it collapsed to the floor.

This time, there were no tears, no cursing. He paused a moment, looked at this latest victim.

“You messed with the wrong graphic designer, assholes.”

There would be more. He might be the only remaining human in town. He had to get out and warn the proper authorities. And he needed another gun.

He went out into the hallway. The elevator was out. He took the stairs.

To Be Continued…?

knurl

Today my car decided to turn on its Service Engine Soon light. My car is a ’98 Nissan Maxima I bought from the previous owner about five months ago. It’s got 127,000 miles on it, and I have to admit to being more than a little apprehensive as to what tomorrow’s check-up will bring. It’s been a great car so far–here’s hoping it’s just some faulty wiring or something.

I discovered last week that Toy Biz will be releasing a special Marvel Monsters box set of action figures. Basically, they’re super-articulated versions of Frankenstein’s Monster, Dracula, the Wolf Man, and a zombie. Yes, technically they all come from specific Marvel comics, but that doesn’t matter–I plan to put mine up against Buffy and Angel. Or maybe Dracula and Angel can just fight over Buffy.

ineluctable

Following last entry’s rant about Battlestar Galactica, I started watching the show and I concede that it is good, though–as I suspected–it was so over-hyped to me that it couldn’t possibly live up to expectation. Also, it’s a bit of a downer of a show. Granted, a galactic apocalypse has basically just occurred, but still, it’s human nature to inject a little levity into any situation…but I suppose it makes sense that we won’t be seeing any BSG versions of “War of the Coprophages.” (Unless they took place entirely in Baltar’s head.)

I saw King Kong last weekend. It was about what I have come to expect from Peter Jackson, with many earnest slow-motion-Vaseline-lens-one-castrato-note scenes, which started to get a little old in Return of the King. The action sequences were also much too long and exhausting and three or four subplots could have been removed and aided both the overly long running time and the overall quality of the story. But PJ still makes films that are far better than most of what Hollywood produces (to paraphrase Bill Watterson, is it any wonder wonder we haven’t been contacted by aliens when our race is responsible for things like The Ringer?).

I started playing the Western first-person-shooter GUN last week as well. I’m rediscovering some interest in the FPS, which I mostly lost my taste for a few years ago (with the notable exception of Halo). I still prefer third-person action games (the first Buffy the Vampire Slayer game for Xbox–not the “Chaos Bleeds” sequel–is the most fun I’ve had playing a videogame in a long time), but as first-person-shooters go, GUN is fun–for about four hours at least. I have to admit to losing interest after that point, as the game becomes a little repetitive, but I have to grant that part of the blame rests on the fact, unbeknownst to me, the game does not have an autosave function, which meant that I ended up losing my initial four-hour investment. By the time I’d gone back and caught up to the same point (being careful to save this time), the repetitiveness had gotten to me.

I do think that Westerns are an underdeveloped genre for videogames. Another FPS, Darkwatch, mixes the Old West with vampire lore, which seems pretty cool. While I’m not really interested in the game, I am curious to find out whether any writers have tried something similar in a novel or comic–crossing the Old West with horror or fantasy (I believe Stephen King’s Dark Tower books are something like that).

Currently reading the first of Philip Pullman’s “His Dark Materials” trilogy. Interesting so far, but as usual I’m getting bogged down in trying to figure out the mechanics of Pullman’s fictional Earth, rather than letting myself get involved in the story.

The girlfriend and I are also working our way through the second season of Angel, having wrapped up Buffy season five. Upon watching the first season of Angel, I initially found it preferable to Buffy, but now I’m not so sure; despite three seasons of Buffy and one-and-a-half seasons of his own show, Angel still seems like a surprisingly underdeveloped character. At the same time, the way in which he is developing–loosening up, singing in karaoke bars, wearing varied clothing, getting bogged down in earthy details–feels amusing and innovative and, oddly, wrong and vaguely unrealistic. They’re playing on the archetype of the brooding dark avenger, but it feels like they’re also making Angel a bit less mature.

That was always his selling point to me–he wasn’t so self-absorbed and self-martyrizing as Buffy; he had centuries of life experience (including at least a hundred years as a “good guy”) and a gravitas that was shaken only by his enigmatic love for Buffy. Now he–and the other characters on the show–are beginning to act less like a mature version of the Scooby gang from Buffy and more like teenagers in a soap opera (while, interestingly, the Scoobies mature and develop, and go down a darker and inevitably more adult path on Buffy).

I’ve still got to write that Buffy/Angel/Hellboy pastiche at some point.

biddy-biddy-biddy

Okay, I have to get something off my chest.

I get it.

The new Battlestar Galactica is a good show. Fine. A great show. Okay. The best goddamned television you’ve ever seen. Great. It’s the television equivalent of Ulysses (okay, so no one’s made that claim).

You got the DVDs for Christmas. You don’t want to hear spoilers on the new show. You’re wondering who’s going to get shot in the next episode and who’s pulling the trigger. Great. Is Starbuck a Cylon? I don’t know, because I haven’t watched the show yet.

At my office, a show like Battlestar Galactica is almost required viewing, but somehow I just never started watching it. Recently it seems my entire social world, from my office to my online friends, have become obsessed with this show. The peer pressure to watch it is intense. I’ve been forced to Netflix the DVDs so I can participate in 80% of the conversations at work.

My girlfriend went to Caltech, and she told me how annoyed she got when her fellow students found out she hadn’t read Lord of the Rings (and didn’t really want to). In their shock and horror they would demand that she read them, which only made her less inclined to do so. When she told me about that, I didn’t really understand. Now I think I do.

Ordinarily I might have been all over a show like BG, though to be fair I, like many people, passed over the opening miniseries due to the reputation of the original show. Now I’m way behind and feeling rather ambivalent about catching up. I haven’t really been into science fiction in any degree since I was in elementary school; I’ve become more of a fantasy/horror guy. And I really want to get through Buffy and Angel, too.

But when it gets to the point where I have to put my headphones on when the talk at work turns to Battlestar Galactica, and when my friend Scott who finds fault with all creative media makes the redundantly hyperbolic statement that he “loves the hell out of the new show – a lot,” I must reluctantly bow my head and say that, this time, peer pressure has won.

I’ve got to be careful, though. I can already feel myself growing the sort of bizarre anti-populist ire I felt toward The Matrix–disliking it just because it was so popular, though the fact that it sucked and starred Keanu Reeves were important reasons too (there was an element of the emperor-has-no-clothes phenomenon in there). From everything I’ve heard and read, quality isn’t an issue with BG, but I still am not looking forward to hours and hours of catching up.

Part of it is the nature of the medium, though. I’ve never been that big on television. Watching television takes up a lot of time, time that could be used to write one’s novel or otherwise stimulate one’s brain cells. I’m sure the fans of BG would go into a lengthy argument about how watching this show is stimulating &c. &c.

I’m just saying, for me, watching this show is like committing to seventy dates with the same person before even meeting them.

1 19 20 21 22 23 26