Jason F.C. Clarke

NOTE: Originally published under the name “Poe Ghostal” on OAFE on 10/5/04.

I can trace my awareness of the X-Men comics—and by extension, the mutant superhero called Wolverine—to its original source: an advertisement in the back of a comic book. The ad featured a “cool” kid—you knew he was cool because he was wearing a denim jacket and sunglasses—holding some X-Men trading cards, I believe. Far more effective than the kid himself was the tagline above him: “It’s a good bet the kid’s favorite MUTANTS ain’t TURTLES.”

Now, at the time, I was a hardcore acolyte of the Teenage Mutant Ninja Turtles fad. However, I was also dimly aware that the Turtles—with their cartoony, anthropomorphic toy line and surfer-lite catchphrases—were perhaps targeted toward an audience that was a bit younger than I was at the time.

Thus, this sunglasses-wearing kid threatened me. The ad tapped the core of my adolescent insecurity—dear God, was I worshipping the wrong mutants? While I would say advertisements have never worked particularly well on me (the only thing ads have ever done for me is made me aware of when things I might want, such as new action figures or films, will be available), this one, I have to admit, succeeded in spectacular fashion.
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Though on occasion I’ve gone through a period of interest in comic books, I wouldn’t classify myself as a superhero fan. I do love Hellboy, but I don’t really consider him a superhero per se. At times I’ve enjoyed reading the X-Men and whatnot, but if there’s a superhero I really appreciate, it’s Batman.

There are countless Batman stories out there, and toy company DC Direct (DCD) has worked hard to give us a figure from each one of them. But one of my favorite Batman stories is Gotham by Gaslight (1989), the first Elseworlds story (the brand was applied retroactively). Gaslight places the Batman story in the late Victorian era, with Batman tracking Jack the Ripper, who’s now running loose in Gotham.
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